Friday, October 28, 2022

Estate Planning

 








1.

When she was in her forties, someone asked Loretta about her major in college.  Loretta replied: “Sexual intercourse.”  Then, she said: “I’m still that gal.”


2.

Billings was a young hard-driving exec at the Company.  He had an attractive wife and two small children.  Billings told his lawyer that he wanted an estate plan that protected his children if he and his wife died.  He said that he wanted a guardian for his kids who “shared their values.”  Then, he mentioned Roundway, another hard-driving exec with the Company who was not his manager, but his manager’s manager, and a member of his church.  The lawyer understood the motivation.


3.

Lea had a troubled life.  When she was a little girl, a flood destroyed the house in which she lived.  Then, her sister was killed in a car accident.  But, approaching seventy, she found happiness.  She re-connected with a high school sweetheart and lived with that man until she became very ill with a kind of blood cancer.  


4. 

Mr. Bentley didn’t think he needed a Last Will and Testament.  He was healthy and ran half-marathons.  Everyone he knew was strong, vigorous and optimistic.


5.

Elisabeth flew into Des Moines on the red-eye from LA.  Her bachelor uncle had died a few months earlier.  Elisabeth couldn’t make time for the funeral but she sent a card and wired flowers.  Six weeks later, in the mail, she found a letter from her uncle’s lawyer advising her that she was the beneficiary of a business trust that the deceased had established and that she should arrange to discuss the details with the attorney.  A ZOOM call could be arranged, but Elisabeth hadn’t been home for almost five years and, so, she took the opportunity to fly into town, visit some old friends, and confer with the lawyer.


6.

The lung cancer had shrunk her to skin and bones.  Karen could no longer drive and, so, her sisters brought her to the lawyer and helped her maneuver her walker up the ramp and into the office.  There were a number of details to which the lawyer had to attend.  


7.

Mr. Lawcort, Esq. said to his associate that estate planning was like looking into the sun.  You couldn’t do it very long without becoming blind.


8.

Karen was frail and her skin looked grey.  Mr. Lawcort wondered if she would survive the conference.  Her sisters were robust and talkative.  After taking notes about her situation, Mr. Lawcort said that he would prepare a Last Will & Testament for Karen, an Advanced Health Care Directive, sometimes called a Living Will, and a Transfer on Death Deed with respect to Karen’s house out-of-state in Bullhead City, Arizona.  The Transfer on Death Deed would have to be approved by an attorney in Arizona.  


9.

Karen was concerned that her two nephews and nieces in Sacramento were spendthrifts.  Nonetheless, they were blood-kin, the children of her deceased brother and, because they were always poor and in need of money, Karen told the lawyer that she wanted them to share in the inheritance but on the basis of a trust that paid them $500 a month as their share of the bequest.  After the meeting with lawyer, Karen felt better about things and, outside the office, lit up a cigarette as she stood in the bright sun on the wheelchair ramp.  Her sisters made disapproving noises about the cigarette and pursed their lips.


10.

There was no buy-sell and, so, Morton’s shares in Loch Ness Holding LLC passed directly to his sole heir, Emily, a collateral relative in Montana.  Loch Ness Holding LLC was the company through which Morton had operated his life’s work, LUST Anodizing, an electro-plating company in a suburb near Minneapolis.


11.

When Mr. Lawcort saw Karen puffing on her cigarette on the ramp outside his office, he told his secretary that they had better make haste in drawing up the estate documents for this client.  Lawcort was shocked when he wrote down Karen’s date of birth and reckoned that she was almost ten years younger than him.  


12.

Approaching 80, Loretta lived alone except for her family of three cats.  She didn’t have much of anything but the fate of her cats after her death bothered her.  She made an appointment with a lawyer so that some arrangements could be made for her pets.  She felt that something was wrong with her and had been feeling odd twinges of pain in her belly for a few months.  She didn’t go to the doctor.  Sometimes, she took her cats to the veterinarian.  One of the old animals was diabetic.


13.  

Lea had lived on an Indian reservation with her second husband.  Her son was a celebrated “Fancy Dancer” on the pow-wow circuit and had won many cash prizes.  Shane, Lea’s half-Lakota son, didn’t approve of his mother’s new boyfriend, a man who had been Lea’s high school sweetheart and, later, briefly famous as the drummer in a rock-and-roll band.  When Lea went into hospice care, there was a quarrel about her car.  The drummer had been using the car as if it were his own and he wasn’t inclined to surrender it to Shane or his half-sister, Bekka.


14.

When Billings said that he wanted his boss’s boss, Roundway, appointed as the guardian for his children in the event that he and his wife died at the same time (for instance in a car- or plane-crash), he again stated that he desired that his son and daughter be protected by someone who “shared his values.”  But the lawyer had another file in his office concerning Roundway.  It was a divorce file and some of the allegations pending between the spouses were troubling.  Of course, the lawyer was bound by attorney-client confidentiality and couldn’t say anything to Billings about what he knew, or at least, had been alleged, about Roundway’s “values.”  


15.

Lea went into a coma, lingered for a couple weeks, and, then, died.  Among her effects in the hospital, Shane found a handwritten note signed by his mother and witnessed by two nurses.  The note said Shane’s half-sister, Bekka, should be given several boxes of Barbie dolls that Lea had accumulated during her lifetime.  The dolls were at the apartment that Lea had shared with her boyfriend, the elderly rock and roll drummer.  Because his relationship with Lea’s boyfriend was poor, Shane didn’t know how he would be able to retrieve the dolls and deliver them to Bekka.  She lived in a Chicago suburb, five hours away.  


16.

Loretta made an inventory of some suitable past lovers, writing their names on a sheet of paper.  She considered the list, looking at it carefully.  Would one of these men be willing to serve as the Personal Representative of her estate?  The lawyer told her that she had to nominate someone willing to serve in that capacity.  Some of the men were dead, others married, divorced, and re-married again.  She had parted with some on bad terms.  Finally, she settled on four possible candidates for the position.  Using the internet, Loretta compiled contact information.  


17. 

Mr. Bentley was Lea’s cousin.  He was the CEO of an asbestos-removal firm, Asbestroless.  Lea was buried in a rural cemetery in the farm country where she had lived as a little girl.  Mr. Bentley stood by her grave as words were spoken.  The old country church, with its unflinching white steeple (crowned by a cross-shaped lightning rod) and grassy graveyard with eroded stones inscribed with fading Norwegian words, was “pretty as a picture” – or, so, Mr. Bentley.  After the Lutheran pastor had retreated to a larger, more modern church in town, Shane put a small deer-skin pouch containing some objects in the grave and, then, distributed Pendleton blankets after the custom of his father’s people.  Mr. Bentley observed these ceremonies with interest and thought that they were also “picturesque.”  Cars lined up on the dirt track between the graves and, then, departed for town where a luncheon was being served in the other church’s basement.


18.

In the fields, combines were harvesting corn and beans.  The Summer and Fall had been dry and the big farm implements were enveloped in mournful shrouds of dust.  Behind the combines, big black birds swooped into the field and gleaned the stubble.  Mr. Bentley said that Lea’s only worldly possession of any value was the collection of Barbies.  Mr. Bentley’s wife snorted and said that the whole situation was “sad and pathetic.”


19.

In the church basement, ham on buttered buns was served by church ladies.  There were bowls of potato salad, baked beans, and Jello with fruit embedded in it.  Mr. Bentley talked to Ted, Lea’s boyfriend.  Ted had not attended the graveside ceremony to avoid an encounter with Shane.  By mutual, if tacit, agreement, Shane had not come to the luncheon at the church.  Ted smelled of cigarettes and there was a faint whiff of booze on his breath.  Mr. Bentley said that he would pick up the Barbie dolls at Ted’s apartment and, then, drive them to Bekka in Chicago.  Bekka was poor and couldn’t afford the gas money to drive to the graveside.  She had spent four days at her mother’s bedside two weeks earlier and was all tapped-out with respect to finances.  Mr. Bentley said that it was not an inconvenience to make this trip because his company, Asbestroloss, had a client in Calumet City, near where Bekka lived and he needed to meet with that customer.


20.

Mr. Lawcort directed his paralegal to prepare papers necessary to implement Karen’s estate plan.  Then, he went on a cruise departing from Miami and touring the Caribbean.  He expected to be back at his office in two weeks when he would finalize the documents, get them approved by Karen, and, then, have local counsel in Arizona also endorse the legal instruments that his office had drafted.  Mr. Lawcort’s paralegal was involved in a car crash about four days after the lawyer left for his vacation.  She wasn’t hurt too badly, but suffered a broken ankle and, of course, her car had been totaled.  She couldn’t return to work for about three weeks and had not yet dictated the estate planning documents for Karen.


21.

The night after her “red-eye” flight to Des Moines, Elisabeth went for drinks and pizza with an old friend from college.  The two women met at a restaurant a couple blocks from her hotel near the airport.  Elisabeth’s friend had small children and, also, worked as an administrator at a hospital.  Although Elisabeth didn’t say anything about her friend’s appearance, she was surprised to see that the young woman looked care-worn and that there were lines on her face around her eyes.  Elisabeth’s friend said that she couldn’t make a long night of it, because she had to get up early to take her children to day-care before driving to work.   “It’s not like college any more,” Elisabeth’s friend said.  “Early to bed early to rise...”  Elisabeth replied: “Remember, it was like we were majoring in sex when we were in school.”  “Speak for yourself,” Elisabeth’s friend said with a laugh.  


22.

The appointment with the lawyer was at 9:30.  Elisabeth sat in a conference room with a window overlooking a small pond between the freeway and its off-ramp.  The pond was lined with grey-brown reeds.  The lawyer greeted her and they chatted a little about the unseasonably dry and warm autumn weather.  The lawyer was an old man, dressed informally in blue blazer and a polo shirt open at the neck.  He told her that she had inherited a profitable business called Greenway Eco-Services.  The enterprise had a recycling plant located about four hours from Des Moines in the northwest corner of the State.  “It’s was on the market a couple years ago and several large businesses were very interested,” the attorney told her.   He added that her uncle wasn’t willing to part with the enterprise at that time. “I can contact those firms,” the lawyer said, “And I’m confident that someone will make a very strong offer on the business.”  Elisabeth said: “I think I should take a look at the property before we commit to anything.”       


23.

Loretta had testamentary documents prepared by her attorney.  But the designation of Personal Representative for the care of her cats was left blank.  She sent an email to the man who was first on her list.  She inquired about his health and arranged to meet him.  His wife had recently died.  Mr. X– was old, frail, and sad.  He told Loretta that he had recently been diagnosed with something quite serious and, so, he didn’t think he could help her.  “My memories of you are fond and warm,” he told Loretta.  She nodded but didn’t reciprocate the sentiment.


24.

The Des Moines lawyer told Elisabeth that it was a long and tedious drive to the small town where the Greenway Eco-Services facility was located.  “If your uncle hadn’t been so stubborn,” the old attorney said, “he would have sold the shop years ago.”  Elisabeth said that she had some experience appraising businesses and that she planned to drive up to the Northwest corner of the state to see the place.  “You know, I don’t really recommend that,” the lawyer said.  “It sounds mysterious,” Elisabeth replied.  “Now, I am really intrigued.”


25.

Once, LUST Anodizing had been on the outskirts of a suburb that was itself on the far outskirts of the City.  The electroplating business was built on land zoned industrial, but as the suburb had grown and expanded, the factory was absorbed into residential and commercial neighborhoods.  Emily was surprised to see that small houses with even smaller detached garages and lawns with mature shade trees entirely surrounded the two-acre tract where the plant was located.  The commercial real estate agent told her that the electroplating plant was “grandfathered” by the city zoning committee but that no additions or significant capital improvements could be made on the site.  “This is a problem,” the broker told her.


26.

Emily possessed a controlling interest in LUST but there were two Persian brothers, Behrouz and Kamran, who each had 15% stock ownership in the firm.  Morton had borrowed money from them and repaid the loan with equity in the company.  They were now operating the plant.  When Emily called the anodizing firm, Kamran was officious but said that they were very busy with production, filling a large order for the Department of Defense, and that outsiders were excluded from the plant for security reasons.  Kamran said she could tour the facility in a couple of months and that he would send her a message when the time was right.  Emily said that she operated a ski resort in Montana and that it would be inconvenient to return in the Winter to see the place.  “Well, there is nothing to be done,” Kamran said.


27.

After Lea’s death, her three siblings set up a meeting with a lawyer to discuss ownership of the family’s lake cabin in the north woods near the Canadian border.  Title to the cabin remained in the surviving sibling’s mother.  The old woman was in a nursing home and had been unwell for several months.  At the conference with the lawyer, the eldest sister suggested that the cabin and lake-front property be sold at auction and that the proceeds be divided four-ways with equal shares payable to each child with Lea’s proceeds distributed to her offspring.  The old woman was participating in the meeting by a Zoom link on her laptop computer.  She vetoed this plan: “Your father would not want the cabin sold to someone outside of the family.  He put in the dock.  He built the driveway and the shed and the boat-house.  It was his pride and joy.”


28.

Mr. Bentley parked his car at the rear entry to the old drummer’s apartment building.  It was unseasonably warm and some of the grills on the balconies precariously adhering to the rear of the structure were fired-up so that the air smelled of burnt meat, propane and charcoal.  When Mr. Bentley rang the bell, Ted buzzed him in.  He lived in a cluttered basement apartment.  Apparently, he had been working on his pickup, but was afraid to leave anything in the lot by the disabled truck (it might be stolen) and, so, the small, dark rooms were full of car-repair tools and auto-parts in boxes.  Everything was impregnated with the stench of cigarettes and the Barbie dolls in their cardboard containers smelled like an ash-tray.  Ted said that he had emphysema and that he was too weak to help carry the dolls out of Mr. Bentley’s SUV.  Although they smelled bad, the dolls in the two boxes were very light.


29.

Mr. Y– said that he would consider serving as Loretta’s PR.  He asked her to visit him in his condominium by the lake side.  Not surprisingly, the place was called “Lakeview Estates”.  Mr. Y– was drunk when he met Loretta at the door leading to his place and his gait on the steps was unsteady.  His rooms were filthy and Loretta was happy she had used the toilet at the Kwik Trip down the block before coming to see him because his bathroom horrified her.  Mr. Y– had several cats himself but it appeared that he had not cleaned their litter box for several weeks.  The animals had rheumy eyes and matted fur.  Mr. Y– was very fat and his clothing was dirty.  When he tried to kiss her with his wet, slobbering lips, Loretta pushed him aside and fled.


30.

Mr. Lawcort became ill when he was on the cruise.  He feared that he had COVID, but concealed his symptoms in the hope that he could board the plane and fly home.  But he collapsed in the airport and had at to be taken to the hospital where, after several days, he was intubated and put on a respirator.  


31.

The electro-plating plant had cement-block walls painted white.  A disheveled copse of trees extended along the building’s flanks and there was a tiny lagoon the color of rust with a red sign posted NO SWIMMING.  A couple of semi-truck were parked against the shattered masonry of the loading docks. The place made an unearthly humming sound as Emily approached the office from where the realtor had parked and was waiting for her in a space marked by a battered VISITOR sign.  Behrouz met her in the small suite of rooms at the front of the building.  In the office, there was a dead rubber tree shedding fibrous strips of bark on the floor.  The air smelled of acid.  Behrouz said that he couldn’t let her into the plant because of Defense Contractor regulations.  He offered to show her the government documents.  “But I’m the majority owner,” Emily said.  “We didn’t ask to be your partner,” Behrouz said.  Kamran stood in front of the inside entry to the plant next to the restrooms in the corridor.  “I didn’t ask to be your partner either,” Emily said.  “We will have to work this out in court,” Kamran said in a loud voice.  “Indeed,” Emily replied.


32.

The country in NW Iowa was rolling with small round hollows beneath tree-lined ridges.  Corn fields slanted up and down the hillsides.  The road passed through many small villages that seemed either impoverished or abandoned.  It was warm and the air conditioner freshened the inside of the rental car and Elisabeth saw that the woodlots had turned yellow and gold between brown fields of row-crop.


33.

Billings got into a fight with Mr. Roundway at the country club.  Roundway accused him of cheating during their round of golf and Billings had ignored the slight so long as they were on the golf course.  But, at the country club grill, he couldn’t restrain himself and began to badger Roundway.  The two men went out to the parking lot to fight but cooler heads prevailed.  The next day, Billings called his lawyer and made an appointment to change the guardianship provisions on his Will to remove Roundway as the person appointed to protect his children in the event that he and his wife died.  “I need someone who aligns better with my values,” Billings said.  


34.

Mr. Bentley exited the freeway at Calumet City.  The roads were all ripped-up for construction and he drove along an endless line of orange cones next to a sheer drop-off down to yellow sand strewn with river-rock where the adjacent lane had been removed.  The old elementary school from which asbestos insulation was being extracted stood on an acre-and-a-half of asphalt.  The place looked like a giant burnt-red brick that had been hollowed out.  The contractor’s men were standing in sockets of the doors to the building, wearing hooded Tyvek coveralls with respirators.  Mr. Bentley put on a face-mask.  He thought that he knew some of the workers but they were hard to recognize in their white suits, masks, and safety glasses.  Near the openings in the building, fans powered by sputtering generators were sucking air into the structure.        


35.

Calumet City was full of burned out houses half-hidden by unkempt, drooping trees.  Sidewalks led to nowhere.  The project was going as well as could be expected, but Mr. Bentley thought some of the roll-off dumpsters were overfilled and might draw a fine.  He mentioned this to the project foreman.  The man was a little evasive about the recycling site to which the asbestos insulation was being hauled.  The world was full of the toxic stuff and Mr. Bentley expected to spend the rest of working life profiting from it.  Someone had to clean up the mess.


36.

Loretta contacted Mr. Z–.  He was enthusiastic about serving as her Personal Representative.  They met for breakfast at a Perkins Restaurant near the freeway.  He said that he had become successful selling Amway products and that she could achieve all her dreams by working in sales with him.  Loretta said:  “I’m 77.  It’s a little too late to chase after my dreams.”  “Oh my goodness,” Mr. Z– said, “It’s never too late.  “I don’t have any dreams left any more,” Loretta told him.  They talked about old times as they ate.  Mr. Z– paid the bill and left a large tip.  When Loretta mentioned her cats, Mr. Z– changed the subject.  They shook hands and he drove off in his shiny black BMW.  Loretta suspected that Mr. Z–‘s vehicle was leased and that he was not as prosperous as he claimed.  From the days of their romance, she remembered him as charismatic, irresponsible and a charming liar. 


37.

Mr. Lawcort was still a little foggy when he returned to work at his law office.  It seemed to him that he had forgotten something, but, try as he might, he couldn’t remember what it was.  After his hospitalization, the world looked spectral to him, half-dissolved in its own toxins.


38.

He suspected corruption with respect to the asbestos remediation, bribes to city officials, perhaps, and kickbacks.  But, it was best not to inquire too closely into the situation.  Mr. Bentley thought that what he didn’t know couldn’t hurt him.  The cigarette smell in his car made him a little dizzy.  He should have stopped at a Walmart along the highway and bought a box of baking soda.  He texted Bekka’s address into his phone and followed a zigzagging course through the ruinous city to a quadrangle of bleak-looking townhomes, subsidized housing where children were playing in the parking lot and some women shrouded from head-to-toe in black burkas sat at a picnic table next to the complex’s rental office.  Probably, the women were watching him suspiciously, but, of course, their eyes were not visible.


39.

Elisabeth’s cell-phone rang, startling her as pulled into Quimby, a hapless village surrounded by the old round pillars of grain elevators.  A stream ran through the town, spanned by several narrow iron bridges that seemed haphazardly welded together.  Some greenish water leaked over the top of a small, algae-stained dam.  On the phone, the lawyer in Des Moines asked about her progress.  Elisabeth said that she had just reached the town where Greenway Eco-Systems was headquartered.  “The offices are right across from the courthouse square,” the lawyer said.  “The plant is out in the country about five miles but there’s no need to visit that place.  I’ve talked to the manager and he’s looking forward to meeting you in the office uptown.”  Elisabeth said that she wanted to see the physical plant.  “I don’t recommend that,” the lawyer replied.  “But suit yourself,” he said. 


40.

When the call was transferred to his office by his secretary, Mr. Lawcort recalled what he had forgotten.  The woman on the line asked about the legal documents that Mr. Lawcort had agreed to draft for her sister, Karen.  Mr. Lawcort apologized and said that he had been very ill.  “Well, Karen died sometime last month,” the woman said.  “They had to break into her house here in Bullhead City.  She was dead in her recliner with the TV still running.  Apparently, it was a mess and they aren’t sure when she died.”  Mr. Lawcort said: “She didn’t look too good when I saw her in my office.  I bet she passed right after she got back to Bullhead City.”  The woman said she was disappointed that nothing had been drafted and that the estate plan couldn’t be implemented.  “These things are unpredictable,” Mr. Lawcort said.  “I’m so disappointed,” the woman told him.


41.

Emily looked at the tract index at the County Courthouse.  Apparently, there were consent decrees recorded on the property’s title arising out of environmental litigation involving LUST Anodizing.  The pollution control agency was supervising groundwater contamination remediation measures underway with respect to leaking underground storage tanks containing solvents and electrolyzing agents.  There were also claims that the firm had improperly disposed of electroplating byproducts.  Emily called her Montana lawyer and had her draft a quit-claim deed on the property.  Even though it was unclear whether divesting herself of all legal interest in the premises would exculpate her from liability, nonetheless, she thought it prudent to make the attempt.  Her lawyer was skeptical: “by recording the quit claim deeds, you’re just highlighting that you once had a legal interest in the place.”  Emily said that she was damned if she did and damned if she didn’t.


42.

The offices for Greenway Eco-systems were on the second floor of a downtown building that housed a cafĂ© and tavern at street-level.  The steps leading to the suite of rooms were long, steep, and arduous.  The offices were not handicapped-accessible and Elisabeth wondered about local ordinances, making a mental note to address this subject once her control over the corporation was confirmed.  The manager was a haggard-looking man casually dressed.  He said he could show her the profit and loss statements and customer lists but that there was no need for her to drive out into the country to see the plant.  “It is what it is,” the manager said, sighing a little.  Above the reception desk, the company logo showed an open hand with the tendrils of several small green trees growing out of palm and from between fingers.  “I don’t recommend you go out there,” the manager told her.  “You must understand that we are environmentally conscious. Our business, you know, is history’s first recycling enterprise.”  “This business?” Elisabeth asked skeptically.  “No this kind of business in general.”  The offices were brightly lit with spotless white walls.


43. 

Bekka came to the door wearing a track suit.  She had a broad flat face framed by dull, blonde hair.  In the kitchen, Mr. Bentley could see several small children eating macaroni and cheese from microwaveable plastic cups.  The TV was playing and, on the flat screen, two monsters were clumsily battling one another.  Mr. Bentley brought the boxes of Barbie dolls to the front door.  Bekka sniffed at them.  “I think we should put them in the garage.”  They carried the cardboard containers from the townhouse threshold to the garage door that Bekka raised by tapping a code into the controls on the wall panel.  The veiled women across the parking lot tilted their shrouded heads to watch Mr. Bentley and Bekka piling up the boxes along the garage wall.


44.

Mr. Bentley was relieved to get the dolls out of his car.  He drove back to the freeway with his car windows rolled-down.  The weather was mild although the trees were shedding their leaves.  He pulled into the drive-through of a Jimmie Johns’ sub sandwich place and bought something to eat in his car: a Hunter Club with turkey, bacon, and roast beef, a diet Coke, and a big dill pickle.    


45.

Karen’s two sisters met with Mr. Lawcort.  It was a contentious meeting.  One of the sisters wept.  The other shouted at Mr. Lawcort and said that he had neglected his duties.  Mr. Lawcort accepted the criticism stoically.  He subscribed to the view, confirmed by the Bible, that “a soft answer turns away wrath but a harsh word stirs up anger.”  (When he was a young man, his senior partner had told him to abide by this rule.)  The angry sister said that the spendthrift nieces and nephews in Sacramento would now receive a windfall.  They would have to hire an Arizona lawyer to probate the house in Bullhead City.  There would be expense and delay.  Mr. Lawcort had no response to these assertions.  He said that, if sisters desired, he would find them a lawyer in Bullhead City who could handle transactions involving the house.  “We can’t trust you to do anything right,” the angry sister said.  “I’m sorry for your loss,” Mr. Lawcort replied.


46.

“One approach to the cabin is that the person who will make the most use of it, borrows money, and cashes out the other heirs at fair market value.”  No one responded to the lawyer’s suggestion.  The old woman, participating by Zoom, tried to speak.  But she had muted her microphone.  The lawyer and the siblings in his conference room looking at the computer saw her lips move but didn’t hear her words.  Finally, a nurse leaned into the picture on the laptop and, unmuted the computer; then, she said: “She tried to tell you that she doesn’t want anyone to borrow money to purchase the cabin.  Their father would not have wanted any of the kids to go into debt over the lake cabin.”  The lawyer shrugged.  “Then, she will have to make a transfer-on-death to one of you,” he said. “Or several, but past practice shows that a group of people can’t manage property like this equitably.”  “So what are you suggesting?” one of the sisters in the conference room asked.  “Well, it’s often the case in estate planning that there are winners and losers,” the lawyer said.  


47.

Emily drove out to LUST Anodizing.  Again, Behrouz and Kamran met her in the office.  They told her again that Defense Department regulations prohibited them from taking her among the barrels of chemicals and energized cathodes where the parts were electroplated.  Emily said that she didn’t need to see the process since she was quit-claiming the plant to the corporation and canceling any shares of stock in the enterprise that she had inherited.  Behrouz said that there were certain liabilities that ran with the property that she couldn’t simply sign away.  “We can discuss this in more detail when your ownership in the corporation is confirmed,” Behrouz said.  Emily was quiet.  There was no point in arguing with the Persian brothers.  She shrugged and went out to her car.  Then, she called a friend in Kalispell who had a friend who knew someone working as security for a First Nations casinos near Edmonton.  


48. 

Billlings met with Kettering, the manager at the company who was Mr. Roundway’s boss.  Ostensibly, the conference was about supply-chain issues.  But, then, Billings said that he had always admired Mr. Kettering’s business acumen.  He knew Kettering was on the church council of the congregation of which he was a member.  “I would like someone with values that align with mine to serve as godfather to my children,” Billings said.  To his surprise, Kettering seemed flattered and said that he would consider such an appointment if Billings would draw up the proper legal documents. “But is your wife on board,” Mr. Kettering asked.  “Very much so,” Billings replied.


49.

Billings drove home, excited to tell his wife that Kettering had agreed to serve as the contingent guardian for their children in the event that some catastrophe eliminated the two of them.  But his wife and children were nowhere to be found.  An orange moving van was pulled up to the driveway and two Hispanic men were carrying children’s clothing and boxes of shoes out to the vehicle.  A tall man who looked like a retired cop stood sentinel over the moving operation.  The tall man apologized to Mr. Billings when he handed him the divorce papers.  


50.

The last name on Loretta’s list was Ted, a retired rock and roll drummer.  Loretta recalled him as an exciting lover, but, also, a heavy drinker with a drug habit.  She had not seen him for twenty years or more and was surprised that he was still alive and, in fact, living a few hours from her home.  She sent Ted a few emails and asked him to consider agreeing to be her Personal Representative.  Ted responded with interest and so she agreed to visit him at his apartment.  He told her that his girlfriend had just died and that he was a bit lonely.


51.

A pre-dawn fire destroyed LUST Anodizing.  The city police went from house-to-house in the neighborhood urging people to evacuate.  The plume of smoke from the blaze was poisonous with industrial chemicals.  When the sun rose, a tower of orangish smoke stood over the ruined plant and streams of green vitriol flowed down the driveway and hillsides coloring the little pond near the electroplating facility.  Kamnen said that Behrouz had gone to the Anodizing plant early in the morning, before the fire was reported.  His body was never found.  Authorities speculated that he had fallen into one of the acid baths and been dissolved, skin, hair, and bone.  


52.

Construction closed two of the four lanes on the expressway skirting Chicago.  Traffic was congested but moving at about forty miles per hour.  Mr. Bentley was eating his Hunter Club sandwich wrapped in white paper that had unraveled under the bun.  The wrapping was in the way so that he bit down on the edge of paper.  This wasn’t acceptable and so Mr. Bentley rotated the sandwich turning it over.  The loose paper wrapping beneath the Hunter Club was now in front of his eyes, blocking his view of the road.  Momentarily blinded, he lost control of his car, braking so that he fishtailed.  When he flung the sandwich aside, he saw that a truck ahead of him had slowed, brake lights flaring.  Mr. Bentley pumped on the brakes and skidded sideways onto the shoulder of the freeway, narrowly missing the back of the truck, now rolling to a stop ahead of him.  Horns blasted from the column of cars.  Mr. Bentley took a deep breath.  He looked at the sandwich lying open on the seat next to him.  The roast beef and turkey and bacon looked up at him with a vaguely apologetic expression.  His car was mostly off the road and it was hard to merge back into traffic.


53.

Mr. Bentley pulled off at the first rest stop past the state line.  He sat in the car for awhile.  He was panting as if the wind had been knocked out of him.  On the sidewalk leading to the toilets, an old woman was laboring up the slight incline, pushing her walker a head of her.  Mr. Bentley watched her shuffle toward the rest rooms.  Death is all around us.  Best to plan for the end.  You never know when your time will come.  Leaves slipped from trees and glided down on the pavement.


54.

Ted’s apartment was dim with wan light coming through basement windows.  He apologized for the odor, telling Loretta that the place sometimes flooded.  She didn’t smell anything but the stink of cigarettes.  Ted sat in a recliner connected to a green yard-long oxygen tank.  Loretta noticed an ashtray full of cigarettes on the small end-table next to the recliner.  She made small talk about the weather and they remembered bars where Ted had played in the long twilight of his career.  Loretta asked about the others in band – all of them were dead or dying.  When she talked about her cats, Ted showed no interest.  He was more intrigued by the money in her bank account and some real estate that she owned.  “Do you even like cats?” Loretta asked him.  “No, I think they’re sneaky little critters,” Ted replied.


55.

Bekka sprayed the Barbie dolls with Febreeze.  She put several of the dolls naked in the bathtub and ran water on them.  Later, her kids sat in front of the Tv eating peanut butter sandwiches and playing with the Barbies.  They rubbed the naked Barbies together and said that they were kissing.  


56.

During her efforts to locate a Personal Representative for her estate, two of Loretta’s three cats died.  The oldest cat, Angel, suffered from feline diabetes.  Loretta asked the lawyer what she could do if no one was willing (or able) to be her P. R. The lawyer said that he could appoint someone from a Trusts and Estates department in a bank to serve in that capacity.  “That’s expensive though,” the lawyer said.

Loretta was in better health than her old cat and, so, she resolved to outlive the animal.


57.

Mr. Lawcort received an indignant letter from one of Karen’s sisters.  She accused Mr. Lawcort of neglect and malpractice and said that, unless he corrected the problems that he had created, she would hire an attorney to sue him for malpractice.  Mr. Lawcort sent the letter to his malpractice carrier.  A claims attorney called him.  “She can’t sue you,” the claims attorney said.  “Your client is dead.  You weren’t representing the heirs.  There is no attorney-client relationship with the heirs and the dead don’t have standing to sue.”  Mr. Lawcort was glad to hear this.  


58.

It was warm and Elisabeth rolled down her windows.  The two-lane county road wound over the rolling hills, inscribing big S-shaped curves in the landscape.  Elisabeth saw the Greenway Eco-systems plant on a tumulus of loess, a pyramid-shaped knoll with clay banks exposed above a small pond enclosed in hedges of red sumac.  Through the brush, Elisabeth saw that the pond was covered in a yellowish foam, greasy stuff the color of tallow.  The air darkened with a bad smell that intensified until Elisabeth was choking.  Some vats on rusting iron stilts stood next the concrete block walls of the facility.  Brownish fluid was oozing through cracks in the walls and there were chest-high heaps of dead animals next to the driveway.  The animals had melted into one another and so it was hard to identify them but she saw several cows on their backs, huge taut balloons with upright legs, a few dogs and cats on the edge of blackened pile and a dozen rotting pigs with deer carcasses among them.  Closer to the building there was a dark irregular mass.  When the flies lifted from the mass, hovering in a great throbbing cloud, Elisabeth saw the pile was comprised of putrefying offal.    


59.

A man wearing hip-waders came from a shadowy alcove where there was a greasy-looking loading dock.  The man wore rubber gloves and a rubber apron.  He approached the car and politely asked Elisabeth if he could help her.  “No,” she gasped.  “Do you need us to make a pick-up?” the man said.  He pointed to a corroded truck with two dumpster-like bins on its back.  Elisabeth saw a some feathers in one bin, pale like hydrangea blossoms, apparently dead chickens, and a small, green poodle was visible in the other black compartment.  “No pick-up,” Elisabeth said.  Her impulse was to roll up the window, but this would trap the stench in her car.  “So how can I help you?” the man with the rubber apron and gloves asked.  “You can’t,” Elisabeth said.  She put the car in reverse, turned around, and drove away from the rendering plant.


60.

The room in the nursing home was steamy and smelled bad.  An old woman rested on a hospital bed that had been inclined upward so that she could sign the documents transferring the lake cabin on her death.  The lawyer had brought a newly hired associate with him so that he could learn practical aspects of the trade.  A nursing assistant with tattoos on her wrists and pony tail stood next to the bed.  The senior lawyer set the documents on a sort of plastic tray slanted across the old woman’s chest.  “What is this?” the woman in the hospital bed asked.  “It’s the documents about the cabin we discussed in the meeting?” the lawyer said.  “What meeting?” the old woman said.  She seemed very drowsy and her eyelids kept closing.


61,

The lawyer asked: “Do you understand what you are signing?”  “No,” the old woman said.  The lawyer handed her a pen with the name of his law firm printed along its side.  “Do you know what you are signing?” he asked again.  “I think so,” the old woman said and, with shaking hand, she wrote her name on the paper.  The nursing assistant wrote and, then, printed her name as a witness.  The junior associate hesitated for a moment, but, then, he wrote and printed his name also.  The transfer-on-death-deed required two competent witnesses.


62.

In the car on the way back to the office, the associate asked if the old woman had the mental capacity to execute the deed.  “Of course,” the senior lawyer said.  “Otherwise the deed would be unenforceable.”  The associate ran his teeth over his lower lip.  “It’s for the greater good,” the senior lawyer added.


63.

Elisabeth stopped in a Burger King near the freeway that led to Des Moines.  She couldn’t eat but ordered a Diet Coke.  In the toilet, she washed her hands for a long time.


64.

The senior lawyer told the young man that, when someone died, assets secreted money.  “You find it in the mattresses, under the floor boards, in the attic, it bubbles up out of the drains like sewage.  It’s just there for the taking, money for nothing.  So make sure you get paid for your work.”


65.

The old man used a walker to ascend the handicap-ramp at Mr. Lawcort’s office.  He had bushy eyebrows and the beard of a Civil War general.  He was only a few years older than Mr. Lawcort and had been in college with him.  “You know, I majored in drinking beer and smoking dope,” the old man said.  “It seems like just yesterday.  The heart doesn’t grow old.  The body ages but the heart stays young.”  Mr. Lawcort agreed with him. 


66.

In the mountains of Montana, the first snow fell, powdery, white and clean.  Emily’s crew inspected the ski-lift.  It was in good order.  


67.

The dock was solidly built and had outlived its maker.  It was early in the morning and mist rose over the cold, motionless water.  A loon warbled, hidden in the distance.  The people in the cabin were still sound asleep.  They didn’t see a bright fish gulp at the surface of the lake a couple yards from the end of the plank dock.  Concentric ripples spread across the water, softening as they expanded.  

Monday, October 17, 2022

Three Thrones

 Three Thrones




1.


Three thrones draw westward.  Ordway observes from afar.


2.


The stencil had to be light because it was going to heaven.  Atzompa prepared several large sheets of acetate glued at the seams.  Using his laptop, he scaled up the design to the size of a freight car and, then, used an X-acto knife to cut it into the acetate panel.  Then, he rolled the stencil into a four cardboard tubes, also glued together, end to end.  Prep took almost a week with a couple of his crew assisting.


On the night of the operation, Atzompa’s wheelman drove the crew to a copse of trees under the water-tower.  Sumac-thicket surrounded the grove of cottonwoods and old oaks.  Some kids were getting drunk in the woods next to a small bonfire. The kids sprawled on several car-seats snatched from wrecks in a nearby ravine.  Atzompa’s crew chased the kids away, although there were some threats exchanged and one of the boys pitched a beer bottle at their pick-up truck.


The water tower hung overhead like a blue, glazed flying saucer.  The air was cool.  


After cutting through the chain-link fence, two crew members passed a step-ladder through the hole in the wire.  The step-ladder was tall enough for Atzompa to reach up to the base of the spiral ladder winding around the stem of the water-tower.  Standing on tip-toe on the very top of the ladder, Atzompa pulled himself up to the platform.  Another crew-member perched atop the ladder, handing Atzompa his back pack with the paints, harness, and duct tape and, then, the long cardboard tube containing the stencil.  The cardboard carrying tube was too long to navigate the tight spirals on the metal stair and, so, Atzompa tilted it ourward from the platform and hitched it to a pre-set pulley line.  Gordo, on of the crew, pulled himself up onto the steel grate platform and checked the tube’s connection to the apparatus.


Up went Atzompa.  His boots thudded on the metal steps.  A dog barked.   


A catwalk encircled the base of water tower’s round tank.  Atzompa removed a harness from the rucksack, strapped himself into the web of canvas straps and braces, and, then, clipped the lifeline on the metal guard rail.  Taking care not to look downward, he raised himself onto the guardrail and checked the pulley anchored in an overhead eye-bolt designed to accommodate scaffolding hung from the tank during professional painting operations.  (Atzompa and his crew had carefully scrutinized the side of the convex tank with binoculars a couple weeks earlier and, then, after dark scaled the tower to set the pulley.)  He threaded one of the nylon ropes from the pulley through a carabiner in his body-harness to create a redundant and secondary lifeline anchor.


All of this was done precisely, imitating videos Atzompa had watched on You-Tube and in accord with relevant OSHA requirements.  


He clapped his hands and, then, pulled on the pulley hoist.  A couple minutes later, the acetate stencil was at height.  Atzompa remained perched on the guard rail.  He unscrolled the stencil, pressing it as flat as possible against the icy metal of the tank, and, then, taped the sheet down.  The steel seemed to be sweating.  Cold dew made everything slick.


Atzompa dropped down onto the catwalk, pulled a black Rustoleum aerosol can from his back pack, and, then, gingerly climbed up onto the slender rail again.  He sprayed black paint against the stencil.  He used a second much smaller stencil to spray-paint the red hour-glass shape on the field of black rerpresenting the spider’s bulbous abdomen.  Fruity fumes made a globe around his head and his eyes watered.


The paint would dry in a half hour.  If he untaped the stencil without waiting for the Rustoleum spray to dry the stenciled image would smear.  


Atzompa sat down on the catwalk and dangled his feet over the void.  Below, a couple cop-cars converged along the boulevard near where the pickup truck was hidden in the sumac. Voices sounded.  The other kid in his crew, acting as sentry, fled, darting through the woods, then, following the fenceline to the edge of a vacant lot under the tower.  From the platform at the base of the spiral stairs around the stand-pipe, Gordo kicked over the step-ladder.  Red light flared and dogs began to bark again.


Some bright lights raked through trees and the sumac thicket and the chain-link fence glinted for a moment.  Two pair of cops marched along the perimeter of the little stand of trees.  Flashlights augmented the glare from squad-car-mounted beacons probing the shadows.  The cops had stood the step-ladder back up and Gordo was climbing down.  Atzompa saw the wheelman standing between the police cruisers, handcuffs reflecting a brief flash of light up to the catwalk where he was waiting for the paint to dry.  A beam tilted upward and momentarily blinded him.


One of cops bellowed that he should come down the water tower.  The wind suddenly flared against the curved metal surface of the tank.


Atzompa looked at his watch.  Then, he climbed up onto the guard rail.


“Don’t jump!  For Christ’s sake, don’t jump!” 


The man’s voice sounded high-pitched and reedy with panic.


Atzompa had no intention of jumping.  He pulled off the duct tape and, then, let the acetate stencils fall gracefully away from the bulging side of the tank.  The pale stencils billowed with the wind and for a moment flew upward, flapping slightly like winged heavenly beings.  Then, the stencils rolled over in the air and glided down, draping themselves over the tops of the trees.


The stencil sprayed onto the water tower tank was intact and the design had not smeared.


Atzompa decided that he wouldn’t take the time to retrieve the pulley or the life-line from the tower.  Someone else could take those down.  He unclasped the safety harness, released the secondary anchor line, and climbed down the spiral staircase to be arrested.    


3. 


Atzompa felt the cold steel rail twisting around the metal steps.  He clutched the rail, suddenly conscious of the height and danger.


Near the top of the coiled steel stair, the moon slipped out from a swamp of murky cloud.  A silver-grey radiance suffused the landscape so that forms emerged from the gloom.  The edges of things seemed incised as if on the plate of an old engraving.


Glancing over the tree-tops, Atzompa saw the streets of the town, a grid with intersections marked with the yellow lights of streetlamps.  The highway leading into the village ran to the horizon where other cities glowed, reefs of light against the dark distance.  Nearby, the old high school rose over the town like a black fortress, almost as tall as the steeples above the empty, still streets.  A couple blocks downhill from the watertower, Atzompa looked across the top of an old shopping mall running like a concrete dike along the edge of its empty parking lot.  A huge pond of water burdened the flat roof at the center of the shopping mall, a lagoon trapped between parapets where chimney pipes and HVAC stacks showed like buoys floating on a lake.  The moon cast beams on the impounded pond, subtle silvery veins quivering there when the breeze rippled the water.  The roof-top lake was a strange thing to see and Atzompa marked it in his mind and thought that, perhaps, he should tell the authorities, although to what end?


On the ground, Atzompa’s impulse was to run and he took a couple fast steps away from the officers.  One of them punched him in the side of the head and he fell down.


“You scared the shit out of us,” the cop said.  “We thought you were going to jump.”


Atzompa sat up and extended his wrists to be cuffed.  “Why would I jump?” he asked.  


  

4.


It wasn’t his first offense.  Six months earlier he had painted Darth Vader on the outside brick wall of the High School basketball court.  A year before that he had stenciled a dagger and bomb on a highway overpass and tagged the design “Sur” – that is, a sign that the territory belonged to the South Side Gang. 


Atzompa was a juvenile at the time of his arrest and the Judge sent him to the Sheriff’s Boy’s Ranch in the next county for eighteen months.  The Wheelman and the rest of the crew were adults and they were fined for their participation in the “vandalism” as it was called.  A crew blasted the stenciled image off the tower, but the buff left a ghost, and people could still see the shadow of the spider on the tank.  Another buff was required and this scarred the tank with a patch scabbed with red rust.  This work was costly and the judge ordered the adult members of the crew to pay restitution to the City.  


The Boy’s Ranch wasn’t so bad.  Atzompa worked in the barns caring for horses and dairy cattle.  He traded pen sketches for favors.  His drawings were popular and Atzompa made some ink portraits for guards, working from photographs of girlfriends and family members.   He tattooed a couple of cell-mates although this was forbidden, and, then, painted an inspirational mural in the lunch-room: stalwart young men on horses riding toward the rising sun.  


About six months after he was committed to the Boy’s Ranch, Atzompa learned that the roof at the old shopping mall had collapsed under the weight of the water impounded between the parapet walls.  (It was reported that the drainage channels and metal spouts from that part of the roof had been clogged for several years.)  The roof section that failed was above an old movie theater auditorium converted to a non-denominational church.  By sheer misfortune, the roof failed on Easter Sunday, the lagoon overhead augmented at that time with melt water and the downspout outlets all frozen solid.  


A seam in the ceiling over the stage and the choir split apart and a veil of water fell at first, a slender wavering screen of murky fluid that inundated the singers. Then, there was a thunderous roar and the ceiling dropped like a guillotine blade at the center of a vast brown funnel of falling water.  The congregation found itself standing in knee-deep water and the pulpit was slammed to the ground.  Three choir members were crushed to death by collapsing timbers and masses of plaster and stucco cascading down into the sanctuary.  There were a half-dozen injuries requiring hospitalization as well.


Atzompa told his counselor that he felt guilty about the catastrophe at the Evangelical Free Church.


“I should have said something,” he told the counselor.  “I noticed the flooded roof from the tower.  I knew.”


The counselor was skeptical. 


He shrugged: “What about the City Utilities?  They had to climb up there in the daylight to figure out how to remove the spider.  They saw what you saw and in better light.”


“That’s true,” Atzompa said.


“What about the professional crews hired to blast the paint off the tower and restore it?”


“But I’m an artist,” Atzompa said.  “It’s my duty to see things and understand what I see.”


“The problems at the Church had to do with structural engineering problems.  What about the Church’s responsibility?”


Atzompa nodded.  


“You got enough stuff to feel guilty about.  Legitimate stuff,” the counselor said.  “We’re working on that.  This is too remote and you shouldn’t spend time worrying about it.”


“If you say so,” Atzompa replied.


 5.


Ordway was driving across the Texas panhandle when he saw the painted train.  US Highway 54 angles south by southwest, flat and straight and unerring, a rifle shot aimed at Tucumcari across the New Mexico border and railroad tracks run parallel to the two-lane road.  The train rolled along the right side of the highway, about 150 yards away so that when Ordway lowered his window, air pummeled him and whistled and rushed in vortices around the inside of his car so that he couldn’t hear the rumble of the freight cars on the tracks.  There was no traffic on the highway and no cross-roads and the speed limit wasn’t posted anywhere that he could see and, so, Ordway had set his cruise-control at 80 miles per hour – about twice the velocity of the train.  


He had been driving for more than six hours, midway through the twelve hour road trip between Kansas City and Santa Fe, and the hamburgers and fries that he had eaten an hour earlier were weighing on Ordway so that he was a drowsy.  The sun was bright across the featureless plains and the road was a study in perspective, narrowing to a vanishing point on the level horizon and the painted train was a welcome diversion.  Ordway thought that could try to count the cars or measure his speed against the locomotive, a sleek orange torpedo-shaped engine that he gradually overtook and the freight wagons were all decorated with colorful murals of spray paint, big billowy letters and enigmatic black pictographs and, among the geometric abstractions, faces and forms of personages.  More than 200 cars were being dragged across the vast empty landscape, flat-beds coupled together and carrying metal boxes.  The metal boxes were different colors, red, green, or blue and bright yellow, and they were made of ribbed steel, all of them identical in shape but carrying along their lower surfaces bright frescos.  Ordway thought it was a wonderful spectacle, a mural moving across the empty flatlands, and he thought that it would be good to take a picture with his cell-phone or, even, a video.  No one was behind him and no one ahead so that Ordway could vary his speed to inspect parts of mobile fresco as he wished.  He was now wide-awake once more and fully alert.


One car particularly impressed him: three shapes crowded together, painted on the metal box as high as a man could reach standing on a low step-ladder.  The colors impressed him first:  pale blues fading into yellows and greens half dissolved in white mist, organic and expressive like clouds tinted by dawn, hazy pinks and reds all confined within elegant swaths of black outline, broad painterly strokes defining the edges of three big figures.  The shapes were stoic and magnificent, even grandiose, thrones, it seemed, incongruously emblazoned on the orange iron wall of the box.  The design was shapely and large enough to be majestic from a distance, but Ordway could see that there were also intricacies to the mural, tangles of subsidiary color and shape that would have to be examined from much closer.  


There was no way to approach the train.  For a time, Ordway paced his vehicle’s velocity with the three thrones that the train was pulling toward the western horizon.  He was fascinated by the painting and, distracted:  his car wobbled over the center-line.  Suddenly, someone was behind him, a big black pickup truck with tinted windshield.  The truck’s horn sounded and a second later, the echo of the sound bounced off the moving wall of the train.  In this part of the world, it was courteous for slower-moving vehicles to veer to the right to let the vehicle behind pass.  Ordway steered toward the right shoulder and the truck zoomed by, traveling at a hundred miles an hour and vanishing in a couple minutes over the horizon ahead. 


He had lost track of the wagon painted with the three thrones and, so, Ordway accelerated again, paying closer attention now to the highway.  He glimpsed the thrones as he passed them, a hundred cars ahead and a hundred behind them.     


The day was changed.  The train and the thrones had altered things.  The vast terrain no longer seemed inert but was rather was lying prostrate before the regal magnificence of the thrones.  In the sky, the clouds bowed to them.  The line of flat-bed cars and metal boxes, now, made a procession like a cortege toward the ends of the earth.


6.


Some typed pages were scattered across the car’s front seat next to Ordway.  When he had lowered the window, the blast of air had scattered them and several lay on the floor under the dashboard.  Ordway had a pen in his hand and had been making notes as he drove for a talk that he was supposed to deliver at St. John’s University in Santa Fe.  St. John’s was where he had studied as an undergraduate, reading the “Great Books” as they were called, and he had an affection for the place.  Some of his old tutors were still on-staff and, when he advised a friend at the college that he would be working at the Folk Art Museum in town, several of the tutors invited him to lead a seminar on any subject he wished in art history.  (Dr. Ordway was a curator specializing in the art of the American Southwest at the Nelson-Atkins Museum in Kansas City.)  Ordway announced that he would like to discuss two works with the students: Heidegger’s “The Origin of the Work of Art” and a fragment by Anaximander.  The pre-Socratic fragment could be translated: “This is how things must suffer for being what they are.”  In his talk, Ordway planned to raise issues about Acoma Pueblo polychrome pottery, one of his specialities.  He expected that the talk would be controversial and provocative: the Great Books program at St. John’s traditionally focused on the Western canon and Heidegger like Marx and Freud were tolerated as part of this canon, but only as negative examples.  Dr. Ordway’s expenses for the trip were underwritten by the International Folk Art Museum where he was engaged to present a week-long workshop demonstration of new techniques for the conservation of lime-wood bultos.  


Ordway thought that he should work some reference to the thrones into his prepared remarks.  He thought of the painting by Van Gogh of the work boots that was crucial to arguments in Heidegger’s essay.  The thrones, Ordway thought, looked a bit like the boots and had the same shape, a broad sole and base firmly grounded and, then, rising as a  platform on which the powers of the sky could rest in majesty.  But he needed a photograph.


Ordway stopped in Dalhart for gas.  He was making reasonable time and, at this pace, would be in Santa Fe by supper-time.  He bought a cup of coffee and some potato chips.  He put the papers in the front seat back in order and weighted them down with several books.  It warm and the sun had passed the empty sky’s zenith and shadows were lengthening and giving weight to signs and buildings and the naked fence-lines on the plains.    


7.


After driving about ten miles, Ordway caught up with the painted train.  The thrones glowed with supernatural brilliance, attracting light and, then, radiating it like a torch across the grasslands.  Ordway thought that he would accelerate past the train and find a place where he could stop, march across the empty land to the right-of-way and photograph the thrones as the locomotive pulled them westward.  He put his foot to the gas and sped down the center of the highway.  The bullet of the locomotive dropped behind him, shrinking in his rear view mirror until it was out of sight.


The land was vacant.  There were no intersections and no towns.  The highway had tight shoulders, dropping down to drainage ditches where it was moist enough to support some tumble-weed and sage brush.  Ordway didn’t want to park with his car half-exposed to road traffic, although, in the course of fifteen miles, he hadn’t met any oncoming vehicles.  People drove fast here.  For the last two hours, vehicles either rocketed past him or approached at blinding speed.  The trucks weren’t reckless but, rather, one might say determined and some of them were large and long, their tractor-cabs towing monstrous loads.  


After another five miles, about midway between Dalhart, Texas and the New Mexico line, Ordway saw a notch in the horizon, something like a fleck of paint upturned on a canvas or limewood Santo.  As he approached, the notch resolved into a concrete tower – it was a patch of grain elevators standing to the north of the highway with some metal sheds at the base of the poured cement pillars.  From a distance, the installation looked shapely, as graceful as the columns of a Greek temple, but, as he approached, Ordway saw that much of place of was ruinous – the steel roof of one of the pole-barns had been ripped off by a tornado and rested, upturned and ribbed like a dinosaur skeleton, in the tall, brown weeds.  Lettering across the top of the elevator cylinders was scaling off and mostly illegible and the concrete had spalled where the tower was inserted into the ground.  Notwithstanding the damage, the grain elevator was still operating – at least, there was evidence of activity: two semi-trucks, empty and parked next to a lathe shack and, on a railroad siding, a line of cars, also smeared with graffiti coupled to a another sleek locomotive.  The main right-of-way branched five-hundred yards to the northeast and the tracks, where Ordway expected to encounter the painted train, ran past the grain elevator on a scarcely perceptible ridge made from reddish-yellow ballast. 


Across the highway from the elevator, a giant surveyed the road.  The giant was made from metal cut into the silhouette of a cowboy with a ten-gallon hat and six-guns drawn from his holsters.  The belt buckle of the giant cowboy named a restaurant: COWBOY STEAKHOUSE.  This enterprise was behind the giant, a shell of concrete blocks with its roof also missing, probably a victim of the same cyclone that had ripped off the top of the pole-barn.  But fire had been applied to the steakhouse as well and its beams and fallen timbers were charred.  The wind was stirring in the ruins and kicking up little blurry clouds of dust and there was a foul smell in the air.  The parking lot of the demolished steakhouse seemed to be paved with crushed asphalt shingles. 


Ordway walked across the highway, looking left and right, a meaningless gesture since the road was empty as far as the eye could see.  He walked around the freight cars on the siding behind the grain elevator.  The towers of round concrete cast shadows onto the plain, tight semi-circles under the walls.  In the distance, Ordway saw the painted train approaching, moving inexorably across the flat land.  


A long time passed, it seemed, before the train’s locomotive could be seen, a sort of mask covering the face of the energy that was dragging the long row of frescoed flatbed cars and containers.  Ordway took his cell-phone from his breast pocket.  To his dismay, he saw that the battery was almost dead.  He had neglected to charge the device and the phone was operating in low-power mode.  One-by-one, the wagons rattled by, bright with graffiti and colors that flared like flames on the metal surfaces.  Next to the tracks, the sound was thunderous, iron clanging against iron, and the metal boxes on the cars swayed a little, vibrating rhythmically with the clatter of the wheels.  Deafened, Ordway held up the cell-phone camera.  He was losing power with each second and the train seemed to slow, creeping forward – where were the thrones?  Some long-nosed graffiti faces passed, furry heads peeping over painted ledges on the cars, and initials the size of small cars blazed by, some of them set in graveyards of black sickles and crosses and dervish-shaped whirls of paint.  Then, he saw the thrones approaching, taut like huge balloons full of color.  Ordway thought that he was too close to get the picture that he wanted and so he backed up, still aiming the camera at the freight cars lumbering by.  He stumbled in gravel and, then, something chopped against his shoulder and hip, flinging him forward.  


The train on the siding behind him had begun to move, cars jostling together.  He hadn’t been aware of this motion because his eyes were focused on the painted train and the noise from main rail concealed the sound of the metal rolling and clashing on the siding.


The cell phone had fallen on the ground.  The thrones slid by, improbably huge and magnificent, a vast and noble presence that organized the landscape around it.


Ordway wasn’t hurt badly, just bruised.  The painted train continued along the rail, stretching a sound like a metal waterfall from one horizon to another.  He brushed himself off and limped back to his car, gingerly skirting the siding on which the short train was rocking back and forth as if on a cradle.  


In his car, Ordway plugged the phone into his power-point.  He started the vehicle and turned on the radio.  A clarinet concerto by Mozart was underway.  Ordway thought that his car was much more fleet than the painted train, that he would get ahead of the locomotive again, find a vantage and take the pictures that he needed for his talk.  


8.


Some grey and brown mountains shaped like women’s breasts rose over the Tucumcari.  In the distance, Ordway saw that the railroad tracks that he had been following divided and, then, divided again.  Beyond a dry wash, lined with cement, Ordway saw a Walmart and, enclosed by tattered-looking cottonwoods, the metal sides of trailer houses glinted.  


Suddenly, there were crossroads, trucks here and there moving under the blue vault of the sky, people hiking along dirt tracks to reach their tin mail-boxes, an abandoned Dairy Queen with an old car marked for sale in its parking lot, battered wooden chutes for unloading cattle and feed yards dark with manure and mud.  


Ordway was scanning the side of the road for place to pull over so that he could ambush the painted train.  It was late afternoon and the signs and fence posts cast long shadows.  


A pickup made a left turn crossing in front of Ordway.  He wasn’t able to brake and his vehicle smashed into the pickup.  Ordway found himself resting on his side in a corset of crushed metal.  He couldn’t move although it wasn’t clear whether this was because of injury or the steel wrapped around him.  An ambulance arrived and a policeman leaned over to look at him.  There was blood on the notes for his speech.  From this vantage, canted to the side, the painted train seem to roll across the sky.

  

9.


Delirium.  


White ceiling.  Something stood to the left of Ordway’s bed.  Sometimes, he entered the fog.  Sometimes, he stood apart from it.


In the flash of vision, a momentary thing, Ordway saw that the big, pillowy forms that looked a bit like sofas weren’t stylized, bloated initials as he had expected, but, in fact, thrones.  He knew this to be true because, viewed from a dozen feet or so, there were small figures, one for each throne, occupying the center of the radiant blurs of color.  The little figures were either gods or insects.  They seemed to have glittering compound eyes and wings like flies.  


The delirium subsided.  Ordway had been inspecting carvings of saints whittled into limewood and painted with natural pigments: ultramarine made from ground azurite, hematite, encaustic impregnated with madder, ochre.  The saints ceased praying with him.  He applied paint to a scuffed place with a Q-tip.  First, he was in heaven, then, he was alive and back on earth.  He knew that he was alive because he felt pain: “thing must suffer for being what they are.”

    

10.


After he got out of the army, Henry A– took a bus to Tucson.  He stayed in a motel with a dirty swimming pool and drunken brawls after midnight for a week or so and, then, found an apartment in an old building by the train station.  Henry A– had a tuition benefit from his military service and, so, he took some classes at the junior college.  On weekends, he worked at the B.N.S.F. freight yard.  


As an elective, Henry A– enrolled in a studio arts class in ceramics. The instructor praised Henry’s work and told him that he should consider taking an intermediate level course in the subject.  Henry followed the teacher’s advice and, as his thesis, made a series of abstract objects fired in the wood-burning kiln behind the studio arts shed on campus.  He called the earth-colored forms, partly glazed with abraded surfaces, “Altars”.  There was an exhibition and he sold several of the works. Henry A– said that each “altar” contained a sacred object so that deformities and irregularities in the glaze and fired clay were the outcome of these talisman hidden in the ceramic’s core expressing themselves.  


For the tourist trade, Henry made some pots imitating Pima Indian earthware.  He sold a crate of the pots to a couple native guys who operated a concession catering to visitors on the reservation south of town.  One of the Pima vendors told Henry that the tribe was restoring an old church on the reservation and that, in fact, a team of workers, almost all from out-of-town, were laboring on the project.  The vendor told Henry he should visit the project and check it out.  After a few phone calls, Henry learned that the restoration team needed volunteer apprentices and that the college studio arts program would authorize four credits in Art History to anyone who agreed to spend forty or more hours working on this project.  “It will be a good resume-builder,” Henry’s ceramics instructor said and approved his participation for college credits in the project.


The old church was visible from the freeway ten miles south of downtown Tucson, a pale building with a Moorish dome and two white towers, asymmetrical and slightly crooked-looking, cradling between them a grey-brown facade of sandstone carved into intricate alcoves and stone garlands.  Henry A– had never seen a building of this kind, except, perhaps, in movies about Baghdad or the Alamo.  (The war in Iraq had just ended and, on the news, there were pictures of mosques with blue tile domes and slender minarets.) The native guys had a booth across from the church in a little assembly of huts with thatched roofs where souvenirs were for sale, pots and turquoise jewelry and Indian rugs.  The huts stood around a small courtyard where there was a fountain with blue turquoise tiles, a bright bowl in which water splashed and pooled.  Beyond the huts, a big white-washed plaza extended a hundred yards to the church.  The village was a disorderly sprawl of small houses with tin roofs, fenced by hedges of cactus.  


Henry A– greeted the pottery salesman.  “What’s with the church?” he asked.  “It looks like something out of Star Wars.”  


“Weird, isn’t it?” one of men said. 


The other pot seller said that it was very old.


The air was sweet with corn and squash cooked with tomatillos behind the lunch counters.  Indian burritos were for sale with agua fresca.


“Well, here goes,” Henry A– said.  One of the men gave him a thumb’s up and Henry walked across the plaza to the door of the church, a dim grotto opening like a cave into the face of a desert cliff.  The sun was bright and a steel frame of scaffolding around one of tilted towers reflected light into his eyes.  The desert was flat and the distant mountains cobalt blue with mirages shimmering in the playas and it took his eyes a long moment to adjust once he stepped into the cool hollow of the church.  


Every inch of the walls had been painted with dull brown and yellow and ox-blood colors, hues that Henry couldn’t exactly name: ochre, perhaps, and the green of spoiled lettuce.  Geometric patterns enclosed frescos and Santos stood on outcroppings of adobe, each perched like an athlete at the tip of a diving board.  A hive of angels buzzed about, painted on the ceiling or protruding from the walls in gummy bas relief.  Two sphinx-like lions faced one another, placid and dull-witted atop the carved altar rail and walls yielded to side chapels with rounded ceilings brimming over with decorations, too many for the eye to grasp.  Above the altar, an ornate cliff reached up toward the church’s dome, masses of spiral columns, wooden staves and pillars and finials surmounted by angels blowing trumpets and playing flutes, everything the color of milk-chocolate and all melted together around ornate niches containing toddler-sized statues with peach-pink faces, each little mannequin dressed in bright new garments made from silk and damask.  It was a blur to Henry A--, too much to comprehend, and the profusion of images and architectural arabesques made his eyes ache.


A bird, or, perhaps, a bat, was fluttering around sanctuary and Henry almost stumbled over an old black Labrador sleeping on the floor.  A man approached and shook his hand.  He was a big, old, soft fellow, with a patriarch’s beard and a huge hooked nose.  Although it was relatively cool in the shadowy church, the old man was drenched in sweat.  Pipe scaffolding stood adjacent to the chocolate-colored altar screen and Henry saw some workers above him, other figures dressed in shorts and tee-shirts leaning close to the walls and performing various tasks, hands moving up and down or rotating in circles and, at intervals, flash bulbs exploded in the darkness momentarily illumining details of the paintings or wood sculptures.


The old man with the Old Testament beard introduced himself and told Henry A– that he was pleased to meet him and appreciated his willingness to volunteer.  Henry A– understood that he was a professor emeritus from Columbia University and the director of conservation operations.  A much younger man holding a clipboard asked Henry A– to write down his name and phone number and presented him with some forms to sign.  


“Releases,” the younger man said.  He had a pony-tail and pointed beard.  “Waivers for personal injury and work comp,” the younger man told Henry.  “The tribe requires them from all volunteers.”


Henry A– signed.  The younger man with the pony tail and beard showed him a work schedule and asked him to select several shifts – they were four hours long.  


There was a sound of a power drill and an electric sander.  Some of the workers were wearing light-blue cup-shaped masks over their noses and mouths.  


A fat native man in Levi overalls led Henry to a work bench where there were some dark-bread dinner rolls and a couple of loaves of stale bread.  The fat man told Henry to moisten pieces of bread in water in a saucer and, then, gently rub the surface of the wall next to the bench.  A shelf supported by ancient timbers ran along the wall patterned with a checkerboard array of green, yellow and red squares.  Evidently, votive candles had burned atop the shelf for decades because the wall was darkened with soot and, even, dark tallow.  


Henry was skeptical: “Stale bread?” he asked.  “Are you kidding me?”


“No,” the fat man said.  “It works.  You’ll see.  The idea is to uncover the design so that the Italians can decide what has to be done to save it.”


“Italians?”


“There are five experts here from Rome, the Vatican or something.”


“Really?”


“They say it’s the ‘Sistine Chapel of the Southwest’,” the fat man told him.


Henry worked for two hours.  The labor was very dull although he felt some satisfaction as the patches of wall that he was rubbing with the bread gradually brightened.


The graduate student with the pony tail and pointed beard said that it was time for a break.  The workers went outside and sat in the shade of the building.  It was very hot and the desert shimmered with trembling columns of warm air.  From within its blue-grey shadow, the church seemed enormous, an iceberg marooned in the wasteland.  The Italians sat at a picnic table next to several old graves and spoke among themselves.  The Indians sat at another table with the old man from Columbia and the graduate student.  The bell rang in the tower, although Henry A– suspected it was a recording.  He didn’t know where to sit and, so, he stood between the two tables, drinking a bottle of water from the cooler placed on the sand next to the Italians.


A young woman beckoned to Henry A– that he should sit with the Italians.  She asked Henry’s name and thanked him for helping.  


“I want to show you something,” she said.


The young woman said that she was named Teresa.  They walked to the front of the building and Teresa pointed up at the sandstone facade, now dramatic with oblique raking light.  On one side of the double door leading into the church, Henry A– saw a fat stone cat crouching in a sandstone volute.  On the opposite side of the entry, an arrogant little mouse pointed with his paw to the cat. 


“You know what they say about that cat and mouse?”


“What?”


Teresa answered: “When cat finally catches the mouse, it will be the end of the world.”


She asked Henry how he liked his work.


“I won’t lie to you,” Henry said.  “It’s sort of degrading.  I mean, scrubbing walls with wet bread.”


“It’s important work,” Teresa said.


“I don’t know if I’m going to come back for more of this,” Henry told her.  “You know, I’m an artist.  I have had gallery shows.  I’ve sold work.”


Teresa nodded.


“I can tell that you’re a craftsman,” Teresa said.  “I can see it in your hands.”


“It just seems sort of pointless,” Henry A– told her.


“Please stay,” Teresa said.  “You will be assigned other work.  I know that.”


Henry A– shrugged.  


In the shadow of the church, the big, soft old man, dewy with sweat, stood up and said: “Well, shall we?”  And they went back into church to continue their work.


11.


The ceramics instructor was wearing safety glasses and preparing to open the smaller top-loaded kiln.  Henry A– stood outside the shed behind the studio arts building.  


“So what was it like?” the instructor asked.


“Tedious,” Henry replied.  “It’s a mess.  Goo all over the walls.  They’ve got me rubbing the paint down with wheat buns.”


“Buns?”


“They say it’s a tried-and-true restoration technique,” Henry said.  “It’s hot and stinks and there’s bird’s nests and bat shit and bugs everywhere.”


“Buns?” the instructor asked.  


“I was considering calling it quits,” Henry said, “but I sort of made a friend and I think it’s worth persevering, at least, for a couple more times –“


The instructor pulled on the gauntlets of his welding gloves, scabby with clay and glaze, and hit the wall-switch to engage the cross-draft fans.  


Henry told him about his conversation with Teresa, but the fans rattled and the instructor didn’t hear what he was saying.  


12.  


The right-of-way from Liberal, Kansas to Tucumcari, New Mexico was leased by BNSF from the receiver for a Fallen Flag operation, a rail carrier that was entangled in bankruptcy proceedings.  At least, this was according to Ordway’s research on his lap-top computer.  


Ordway had returned to work after six months convalescence.  His injured knee was still locked in a wire brace and, when he limped down the hallways or across the underground parking lot to his car, Ordway used a cane.  Of course, it was a stylish, antique cane, a slender stylus topped with a cherry-wood handle carved into the head of a griffin, but a cane, nonetheless.  He continued to attend physical therapy, once a week, at the University Hospital and pain still troubled his sleep.  


Internet searches persuaded Ordway that train hauling the three thrones originated in Chicago or, possibly, the BNSF logistics yard at Kansas City.  The Burlington Northern and the Santa Fe web sites were vague about the “consists” moving on their rails.  (A “consist” was an assembly of locomotive and cars coupled together.)  Ordway’s inquiries were met with responses that access to data was precluded by Homeland Security regulations.  Exceptions existed for accidents but questions based on them required proof by incident report or police record, documents that didn’t exist in his case.


Ordway imagined that his interest in train identification and logistics was unusual and idiosyncratic.  However, after a few hours of research, he discovered that there were hundreds, if not thousands, of web-site managed by so-called “rail fans” – that is, train enthusiasts who amassed data as to routes and schedules, posting innumerable videos of locomotives and freight cars rumbling over trestles or diving through tunnels and overpasses.  The images were all alike, revealing fine details and nuances of meaning only to the trainspotting hobbyists who participated in long and the enthusiastic chains of comments.  It was, Ordway realized, a species of pornography, but without any human participation except for the people who made cameo appearances at the edges of the frame, observers in cars and pickups at railroad crossings on the high plains, the occasional worker glimpsed in a vast steel-railed yard at dusk, lonely figures standing next to breast-high iron switches.  Remarks on the videos were laden with jargon and, sometimes, highly contentious.  The trainspotters, Ordway decided, constituted a world within the world and they were numerous and knowledgeable.   Ordway posted an inquiry on one of the railfan forums and, by the end of the day, he had twenty responses.  The replies weren’t all consistent and there was some bickering among the trainspotters, but a consensus emerged: the “consist” was identified as PCHCLAP6 14.  Using the BNSF Symbol Guide, also available on-line (and to which several of the railfans linked their responses), the train was an Intermodal (premium service) originating in Chicago and bound for the Port of Los Angeles, priority 6 on a scale from 1 (lowest) to 9 (highest) setting forth on the 14th day of the month.  Several of his informants suggested that the train probably would have stopped at the Hobart BNSF yard in California, before being shunted to the Port.  Others said that the “consist” would have likely ended its travels at PLB, the Port of Long Branch after riding the Alameda corridor from LAP.  Toward the end of the response string, the discussion devolved into details that Ordway couldn’t understand.


One of the participants in the commentary thread posted a video purporting to show the “consist” on a trestle to the northeast of Liberal, Kansas.  Ordway peered at the images on his computer.  A train powered by three orange locomotives was rattling over a scaffolding of old beams with iron cross-pieces, an abstract pattern of metal and wood in which square structural compartments held light (it was either dawn or sunset) up for inspection like specimens of the sky.  The train’s freight cars carried storage containers that were blue, orange, yellow and light green and many of them were frescoed with graffiti.  The video clip was small in size, but Ordway thought that he glimpsed the three thrones.  He inhaled sharply and the places where his ribs had been broken throbbed.  The trestle made a porous fence over some chalky, furrowed badlands.  In the note on the video, RetireeBob wrote that the pictures showed a “Pumpkin over the Cimarron gorge” – “pumpkin” referred to the bright orange locomotives powering the train.  


13.


The insect nests were beneath a stucco molding running across the middle of the church wall to the rear of the altar rail.  The graduate student said that the parallel ridges forming a cornice along the wall were “reeding” or “gadrooned”.  Henry A– thought that the grad student was trying to impress Teresa with that jargon.  There were lots of architectural details in the church for which Henry had no name, but you could always communicate by pointing and that was good enough as far as he was concerned. 


One of the scaffolding towers had been pushed against the wall where the molding was being restored.  The metal joints and limbs of the tower were wrapped in towels to keep the scaffold from abrading the painted stucco and adobe.  From the floor, Henry could see the insect nests as baseball-sized grey tumors extruding from the cornice’s underside.  The graduate student conferred with the professor in his sweat-stained dungarees and tee-shirt.  Then, he approached Henry A– and asked him to ascend the ladder up to the cornice about 20 feet above the floor: “We need to get those nests off the wall,” the student told Henry.  


Henry nodded and said that he needed a safety line so that he could be properly tied-off when working at height.


“I don’t know if we have anything like that,” the grad student said, blinking a little at Henry.


“It’s required by OSHA,” Henry replied.  “I know: I’ve worked on scaffolding like this in the past.”


One of Natives, standing on the wobbly scaffolding near the reredo screen, shouted down: “Dude, this is Indian country.  OSHA don’t apply.”


“I’m not sure about that,” Henry said.  


The grad student shrugged.  “I don’t want you to do anything that makes you uncomfortable,” he said.


“Well, we need to work safe,” Henry replied.  He said that he had a body-harness and a safety anchor in the trunk of his car.


“You just drive around with that stuff?” the professor asked.


“I had a feeling it might come in handy,” Henry said.  “You never know.”


“Well, no one can object to safety,” the old man said.  He went outside with Henry and sat on a bench smoking a pipe under the sandstone facade with the carved cat and mouse.


Henry set up the anchor-line and strapped the harness around him.  He climbed the scaffold.  One of the Natives guffawed, but the others watched him attentively.  Teresa was standing on a step-ladder four feet off the ground, applying paint to scuffed portions of a fresco of the Last Supper.  She climbed down the step-ladder to watch Henry test the safety line.


“This is a fine idea,” she said to him.


Henry walked along the suspended plank to the first nest, a ball of hard mud stuck to the wall.  Removing a butter-knife from his pocket and a small pry-bar, Henry levered the nest off the cornice, catching it before it fell.  Several florid wooden angels embedded at buttocks and mid-back in the wall seemed to approve of his work.  Their painted eyes watched him and their mouths were open as if amazed.  


The second nest was a drab hive of papery grey cells.  It seemed inert and ancient.  But when Henry slid the butter knife behind the hive, a fog of hornets emerged, buzzing and whirling in the air.  Henry was stung and he staggered backward, slipping off the rear edge of the suspended plank.  The safety line held and the harness caught him so that Henry hung upside down in the air like a bat.  His back and shoulders swung hard against the jointed steel pipes of the scaffolding.


The Professor Emeritus from Columbia asked Henry if he was okay.


“I’m stung and hanging here upside down,” Henry said.  One of the Natives climbed up the metal rungs, reached the top of the scaffold and hauled Henry up like a big, floppy fish dangling from a hook.  The hornets dispersed to the corners of the church and the people working on the floor lifted up their forearms to shield their eyes.  


“My goodness,” the graduate student said.  


Henry’s face was starting to swell.  Teresa poured water from a bottle on a rag among the pigments next to where she was working.  She swabbed at his cheeks and jaw.


“That’s enough for today,” the professor said.  “We’re done with work for now.”


“Are you alright?” the graduate student asked.


“Shaken up,” Henry said.  “I’m pretty shaken up.”


The team gathered around him.  


“From now on, we follow best practices,” the professor said.  “No one gets hurt.”


“You all signed waivers,” one of the Natives said.  “There’s no safety rules on the Rez.”


Henry left his safety harness and anchor line hitched to the top rail on the scaffolding.  Teresa walked with him to his car.  The professor followed him across the plaza.  Thunder clouds had bubbled up around the blue prow of the mountain and there were streaks of rain in the sky.


“Please get checked-out by a doctor,” the professor said.  “Give me the medical bills and I’ll get them paid for you.”


Henry A– shrugged.  


“I’ll put you on the pay-roll,” the professor said.  “You can manage safety for us.”


“I don’t know anything about safety,” Henry A– said.  



14.


Ordway attended an art conservation conference at the Getty.  The subject was cleaning gilded surfaces.  The Experts Meeting was three days including workshops and Ordway knew most of the participants.  Some of his colleagues complimented him on his appearance: “there is much less of you to admire,” one of the women said to him.  Ordway didn’t explain to her that he had been badly injured in a car crash and had lost weight during that ordeal.  During the tour of the Getty Conservation Institute, he saw a man with a grey pony-tail who seemed strangely familiar to him, but he couldn’t place the face or the circumstances in which he might have previously known him.  Ordway glimpsed the technician with the pony tail across the laboratory and the air was vertiginously sweet with acetone solvents so that he felt dizzy for a moment.  When he blinked, the man was gone.


Later that evening, Ordway went to supper with an old friend that he knew from his grad school days at Columbia.  Ordway asked about Professor Schwartzbaum, one of his instructors at the university.  His friend said that the old teacher had died about four years ago.  Ordway said that he had worked as a member of Dr. Schwartzbaum’s team on a restoration project and that he had fond memories of him.


Ordway asked his friend, Dr. Stavos-Giffords, if he had ever been to Vernon, a Los Angeles suburb. 


Dr. Stavros-Giffords said that he had heard of the place but had never been there.


“It’s a gritty part of the town,” Stavros-Giffords said.


Ordway said that he was meeting a trainspotting hobbyist the next morning.


“Trainspotting?”


“People who are experts at identifying trains,” Ordway said.


He told his old college buddy about the Three Thrones and his suspicion that the art-work was at the BNSF intramodal yard at Hobart.


Stavros-Giffords blinked at him and licked his upper lip.  He looked out over the deck at the ocean.


“I’m not sure about the size of the freight yard,” Ordway said.  “But the trainspotting guy will try to get us in to inspect the containers.”


Ordway explained that an intramodal yard was a place where storage containers, either forty-foot conventional units or twenty foot, were unloaded from freight trains to be put on trucks and transported to the port for shipment.


“You seem to be developing an interesting sub-specialty,” Stavros-Giffords replied.


They were on the outside deck of a seafood place on the highway to Malibu and the sea came beneath them and nibbled on the supporting timbers and they heard the waves hiss and fizz. The air smelled of salt and seaweed and the sky drooped down to fuse with the watery horizon where the sun was setting.  Ordway felt exhausted and left his second cocktail only half consumed.  He told Stavros-Giffords that since the car accident, he tired easily and, now, the plates and screws in his femur and ankle were throbbing a little.  


The next morning, after rush-hour, the train fan came to the hotel where Ordway was waiting outside, reading a newspaper.  The train fan was an elderly man with a big pot belly and thick round glasses.  Ordway knew that he had spent many years working on the railroad and that he was very deaf.


“How big is the Hobart facility?”  Ordway asked the rail-fan.


At first, the old rail-fan didn’t understand his question.  Maybe, he didn’t hear it.  Ordway repeated his words and the old man read his lips.


“You’ll see,” he said.


The 710, that is the Long Beach freeway, runs on a half-mile of elevated concrete over one end of the intramodal yard.  Looking over the concrete parapet, Ordway saw a vast complex of parallel rails where locomotives dragged immense chains of cars carrying storage containers toward huge red towers.  These were Panamex hoists built to lift the storage containers off their wagons so that they could be stacked in multi-colored ziggurats overlooking the tracks.  Semi-tractors were coming and going at the edge of the metal ramparts.


“My god,” Ordway said.  “It’s miles long.”


“Largest intramodal in the world,” the rail enthusiast told him.  


The guard at one of the gates opening into the yard recognized the old man.  The guard asked about the elderly fellow’s family.  The old rail fan reciprocated, stepping out of the car.  Hands were shook and the guard even embraced the train enthusiast after the manner of Hollywood movie stars.  The deaf retired train worker got back in his car and the guard waved him through the gate. 


At ground level, the tracks were hidden behind walls of storage containers.  Hoists like giant gallows loomed overhead and the frontage road was lined with semi-tractors idling as they waited to be loaded.  Near the center of the complex, a three-story building stood between the serrated acres of tracks and the stacked storage containers.  The structure had tinted glass windows under its eaves, a bit like the booths from which TV and radio announcers watch footballs games.  A quarter mile down the tracks there was another white structure also positioned to survey the tracks but, apparently, abandoned.  The windows on its upper level, beneath the grey-shingled roof were broken and smoke stains showed that part of the structure had been burned.


“They won’t let you in the command center,” the rail-fan said.  “But I can go in and ask about the thrones.”


Ordway sat in the old man’s car.  Behind him, iron dragged across iron and the rail cars collided, coupling and uncoupling making a continuous thunder sound.  The skyscrapers of downtown Los Angeles made blue bars against the range of distant mountains.  


The old man came out of the control structure.  


“They know about the thrones.  It’s fairly famous,” he told Ordway.


“Are they here?”


“Nope,” the old man said.  “Probably either at Long Beach Port or out to sea.  But there’s another guy, the former security boss, who has some information.  He just retired.  I know him and they called.  He lives in Hancock Park.  If you got time, we can see him this afternoon.”


“I’ve got time,” Ordway replied.


15.


The church was full of wonders.  But you had to know how to see them.


Henry A– worked at the side of the old professor from New York.  The dust and heat, the deposits of powdery rodent excrement and insect nests, the bite of the solvents and fungicides – all of these influences were weakening him and he coughed continuously and his breath wheezed and whistled in the shallows of his chest.  Notwithstanding his distress, the old man arrived first in the morning and assigned tasks and, then, supervised the work until mid-afternoon when the sun made the church too hot for their labor.  He took particular interest in teaching restoration techniques to Henry.  He showed him how to use Famowood to fill cracks and how to protect restored wooden surfaces with washi, Japanese paper made from mulberry fibers, translucent gauze called “the wings of the May fly.”  He taught Henry techniques for removing candle-wax and soot from the intonaco, the hydrated lime plaster inside the church.  Yellow and brown pigments were made from boiled bark peeled from palo verde trees.  Reds were cochineal or made from ocotillo root.  The original artisans had prepared greens from sage and vivid blues from the sap of saguaro cacti.  Mesquite beans were brewed to black pigment.  Where Portland cement from earlier restoration efforts was chipped and spalling, the team patched the walls and dome with a compound made according to the traditional recipe: lime, sand, animal blood gathered at a local abattoir and sticky nopal glue.   


The professor showed Henry A– how to apply rice paper soaked in denatured alcohol to wood surfaces encrusted with dirt.  He helped him inject adhesives behind loose plaster.  Together, they used Q-tips to apply modern pigments as fill where the ancient paint was blistered and falling apart.  


“You’re more deft than I,” the old man said.  “Your hands are better, more steady.”  And, so, after he demonstrated a technique to Henry, and, after he was convinced that his student understood the craft, the old man, gasping a little for breath, went outside and sat in the shadow of the facade, hands on his knees and inhaling the shimmer of warm air rising from the crushed rock and caliche baking in the sun-struck plaza.  


The professor showed Henry a bright yellow braid running along the walls of the sanctuary, a twisted skein painted on the wall at eye-level.  “That is the rope that the saint used to tie his robe at his waist,” he said.  “You will see that it defines the waist of the building and runs along all walls.”


He showed him green fields of color dotted with blue specks: “Those are thumbprints,” the professor said.  “These craftsmen were illiterate so this is how they signed their work.”


After several weeks, Henry A– surpassed his teacher in skill – his eyesight was better and more acute and his hand steadier.  He climbed the scaffold, tied-off in his harness, and now worked on the intricate vertical labyrinth of the altar screen.  Hidden in the filigree, there were carved watermelons, grapes, sheaves of wheat, desert-blooming flowers.  Near the wooden mannequins, Henry found coiled serpents painted like rattlesnakes and sculptures of small, agile lizards – geckos and skinks and larger Sonoran collared lizards.  


“You see,” the graduate student told Henry A–, “you can identify the species from the carvings.  They are very accurate.”


Henry nodded.  


“Why did they carve the lizards into the altar screen?” he asked.


“The church is the world.  The world is the church,” the graduate student said, shrugging his shoulders.


He told Henry that the pigment coloring some of the lizards was mysterious.  He pointed to an iguana-like lizard on which one of the diminutive Santos was standing.   “It’s checking,” the graduate student said.  “We had it qualitatively analyzed.  Using spectroscopic equipment.  We know the pigment’s chemical composition, but can’t figure out where they found the elements – presumably it’s a plant or mineral or colored insect, perhaps, that we haven’t discovered.”


Henry looked closely at the carved lizard.  It’s color, although faded and cracked, was a rich blonde-brown, suffused with salmon pinks and aquamarine-blues: the pigment seemed to reflect light like the scales on a reptile.     


“It’s really quite amazing,” the graduate student said.  “We haven’t caught up with some of this technology even today.”


The little lizard had lost part of its curved tail and one of its feet was missing.


The graduate student gestured to the damage: “This is how things must suffer for being what they are.”


On his break, Henry walked along one of the walls inspecting the painted angels.


Teresa accompanied him.  “We haven’t been able to count the angels in here,” she said.  “They keep fooling us.”


“What do you mean?”


“The count always changes.  Sometimes, it’s 181.  But other times, the number goes up to 187.  And all numbers in between.”


“Why is that?”


“I don’t know,” Teresa said.  “Maybe, they come and go.”


16.

 

Boulders rested in unstable heaps around a low stony hill a couple hundred yards to the east of the old church.  The ridge divided the grounds of the church with its village from the barren land along the freeway to Mexico.  A trail penetrated the rubble of boulders zigzagging between rock and, then, twisting up the steep side of the hill to a vantage overlooking the hamlet’s plaza and white towers and domes of the church.  At each hairpin curve on the trail, a wooden hutch containing small plaster figures marked one of the Stations of the Cross.  There was no shade and the hillside was brutally hot and exposed and the way itself was penitential so that no one climbed the ridge when the sun was at full force.  


A ramada made from mesquite poles and thatched with sage brush sheltered a stone bench at the highest point on the ridge.  A couple of sinuous palo verde trees rose over the arbor.  The freeway sputtered and hissed a quarter mile away.  


It was the season of the Winter monsoon and the air was clammy with moisture.  It was a holiday but Henry A– was working at the church.  The restoration project was scheduled to end after the New Year and, so, the team was working long hours to meet their final goals.  After lunch, Teresa asked Henry to walk with her.  They crossed the plaza and, then, followed the trail to the boulders piled up at the base of the ridge where the path climbed to the Stations of the Cross.  Rain had fallen overnight and there were some puddles of water in low places, probably the foundations of ancient buildings now entirely vanished from the base of the hillside.  The air was perfumed with desert blossoms.


Teresa and Henry climbed through the boulder defile to the switchbacks.  Teresa crossed herself as they passed by some of the hutches where statuary was enacting the last stages of the Passion.  On the final ascent, the way was steep and slippery and Teresa took Henry’s hand as they climbed.  At the top, they sat at on the stone bench and watched the heavy fibrous-looking clouds gather over the mountains.  

Teresa told Henry that she had been born in seaport city in Sicily, but, for the last several years, had been steadying art conservation at the Vatican college.  She told him about her family and described the discos and churches in Rome.  They sat together overlooking the plaza and the small disorderly village and the white church for a long time.  Some drops of rain fell, but, at first, didn’t pierce through the sage entangled in the branches overhead.  Sheets of blue-green water were falling in trapezoid-shaped downpours over the distant mountains.  Then, the storm was upon them and the rain descended in blinding sheets.  They saw that the washes on the road into town were boiling with flash floods and that the plaza in front of the church had become a lagoon whipped white with falling rain.  When the downpour subsided a little, Henry and Teresa slipped and slid down the twisting hillside path.  Among the towers and pinnacles of the boulders, Teresa slipped on a slab of stone and twisted her ankle.  She limped on her hurt foot and, then, Henry picked her up to carry her across the standing water in the plaza.  He brought her to the elementary school next across the cemetery from the church.  There were no students, but two nuns who were from Mexico City, emerged from the convent and attended to Teresa’s ankle.  Both Henry and Teresa were soaked to the skin.  The nuns looked at them with shy resignation: such is the way of the world.  


17.


The retired security boss lived in a bungalow on one of the less expensive streets in Hancock Park.  There was a green lawn, evidently well-watered, and a palm tree.


Ordway’s guide, the rail-fan with the thick glasses, introduced him to the retiree.  His wife offered them lemonade.  The train enthusiast seemed to be more interested in the security boss’ wife than the conversation about the thrones.  He sat with the woman in the house.  The TV was turned to FOX news.  The security boss led Ordway through the house into the back yard where they sat at a table on the patio.  A redwood fence enclosed the lawn and a red-white cat was stalking along the perimeter of the property.


Ordway asked about the painting of the thrones.  


The retired security boss said:  “I’m retired now.  Else they wouldn’t want me talking to you.  And, it’s all off the record, right?  Just for your own personal edification?”


“That’s true,” Ordway said.


“I started as gate security in the container yard.  This was after I came back from Vietnam.  Got promoted to inventory control inspector, then, supervisor for all inventory control, security, and gates for the whole yard.  When I was first hired, we did everything with a clipboard and pen, recording container ID long-hand – it’s all electronic now, intelligent logistics and GPS tracking.  Things kind of broke down a couple years ago, during the pandemic.  The supply chains imploded and the taggers got more aggressive.  They used to be loner kids with a backpack of spray cans, hoodies and felony-shoes, and, if you had the inclination, you could generally chase them down, relying, of course, on your superior knowledge of the container yard and its aisles and dead ends.  You could herd them to the bulls, without much problem, but, in the last few years, the taggers all got affiliated with gangbangers and, when my guys cornered them, they fought back so that my boys got roughed-up, even stabbed on a couple of occasions – it was pretty much a shit-show at the yard and the perimeters were all breached, holes cut through the wire faster than we could stitch them shut... I won’t deny that I’m happy to be retired and away from all that skirmishing.  Things never get better.  They just get worse.”


“But I digress.  You want to know about the Thrones, right?  Let me say that’s an exception to the rule, to all the rules.  I’ve seen acres and acres of graffiti and I’m telling you that it’s got no history and no social value, it’s mostly like someone took a shit in the corner of your living room, at least, that’s my perspective and I’m particularly pissed-off by those academic types (no offense) who want to claim artistic qualities for this stuff – which is after all just vandalism pure and simple – but I have to make an exception for the Thrones.  That’s a horse of a different color as I’m sure you know.  Something on a completely different level.   Right from the start, this was something new.  I recall the first time I hiked down there to see the Thrones.  I had a contractor hired to buff the tags off the containers and, in the middle of the day, the boss comes to my office and says that he’s got a couple workers hesitating – no, not just hesitating but outright refusing – to blast the paint off that container.  These guys are superstitious and they’ve apparently heard about the tag and, once they come face-to-face with it, the crew isn’t willing to scrape it off the metal.  Of course, I’m cussing and making threats and I stomp on down there and, what do you know? – when I see the Thrones, I’m also taken aback, I won’t deny it. And the crew members are balking, arguing with the foreman in Spanish that I can’t quite understand, saying that they’ll quit if forced to sandblast off the Thrones and paint over it.  There’s some superstition going on, even, legends, I guess, about how the tag got painted: you see, one guy says that the storage container was full of immigrants, illegals, and that they got trapped when the containers were double and triple-stacked and, so, everyone – men, women, children, little babies – they all suffocated.  Then, when the can was opened and they discovered the bodies all tangled up together up together, someone said that the tragedy should be documented and, so, the yard guards talked to someone who knew someone who knew someone else and this old guy named ‘Zombie’ appears one night and he paints the Thrones, does it all free-hand, between dusk and dawn and that’s how the tag got put up on the container and these workers, who believe this story, say that they aren’t going to mess with what’s, in effect, a giant tombstone, it’s bad voodoo.  Then, another guy says that this story is all wrong and that the people came out of the storage container dehydrated and half-crazed with terror but alive, all of them alive, and one of them decides to commemorate their deliverance from the iron jaws of the box by making this painting – that guy’s also called ‘Zombie’ because he’s a real immigrant, someone who came to this country through the land of the dead and painted the Thrones to tell the story.  And a third guy says, no, it’s the work of angels.  Winged beings – they came out of the sky and painted the Thrones as a sign that the world is coming to an end.  And the last guy, he says that he saw ‘Zombie’ and that he’s an old man with a grey beard and grey pony tail and he lives up by Brentwood somewhere and painted the Thrones in memory of a girlfriend or wife or something and that the only thing that’s mysterious about the painting is that it’s so beautiful and so fine.  Then, the foreman says that he heard this story too but that, when Zombie was painting the Thrones someone heard tapping, tapping and rapping and, then, voices, and Zombie’s crew pried open the very storage container that he was spraying and, guess what?, the can was full of boys and girls who were frying in there like the Israelites thrown into the oven by Nebuchadnezzar and, once they were freed, they fell on their knees and began to praise God and that inspired Zombie to paint even more beautifully – that’s what the foreman said.”


“So I look around and I see half the storage containers in my yard tagged with initials and pictures of dicks and swastikas and gang signs and, so, I figure the ‘What the Hell?’ and tell the contractor to leave the Thrones alone and clean off that other pernicious shit which is everywhere to be seen.  And I’m glad that I made that decision.  You see, it changes the whole tone of the container yard.  The gangsters back off – it’s like they’re afraid of the Thrones and my guys say that it’s become righteous in the yard, people are bringing bouquets of flowers and leaving little offerings of rum and cigarettes under the Thrones and my staff is less tense, not so fearful, and so everyone is treating everyone else better and, I’ll tell you truthfully, this is something I attribute to the Thrones.  And I will also tell you that my workers say that there is a Throne of Mercy and a Throne of Justice and a Throne of Wisdom, no lie, and that they are all working together to make the world a better place...”


“Then, the Thrones get shipped off.  I saw the manifest, the bill of lading – it said ‘Guidance components’ meaning, I guess, electronics, and the storage container was lifted up by hoist, put on a well-wagon and double-stacked, hauled north to Chicago, I think, or somewhere else and no sooner is the container gone, then, the shit starts up again, the nocturnal brawls, the gangbangers running amok in the yard and, so, then, I decide to get out of there, draw my pension, and retire.  That’s the story – at least, so much as I know...”


Ordway asked: “Do you know what happened to the Thrones?”


“I heard it was back here a few months ago and ameliorated things, I’m told, but, then, it got put in a ‘consist’ running the Alameida corridor down to the Port of Long Beach – at least, that’s what the guy who replaced me said.  Maybe, it’s still there.  Or maybe it’s out on the Pacific Ocean.  They’ll likely know down at Long Beach.  Everyone who works the yards knows the Thrones.  Everyone.”


18.


When the work at the Church concluded, the Italians returned to Rome.  Henry followed a couple weeks later.  


He lived with Teresa in Rome for several months.  Then, he took a train with her south to the Messina ferry.  One of Teresa’s sisters picked them up at the terminal and they traveled across the island to the seaport where her family lived.  The landscape was dry and stony among the mountains, a bit like Arizona, but the coast under Mount Aetna was lush with terraced fields and vineyards.  


Six months later, Henry and Teresa were married.  At the wedding banquet, Teresa’s sister recalled the first day that the couple had met at the old church in Arizona.  She mentioned the stone cat and mouse carved into the church facade.  “May they be happy together until that last day when the cat catches the mouse,” Teresa’s sister declared, raising a glass for a toast.


For the next ten years, Teresa and Henry worked restoring churches in Rome, particularly frescos in San Pietro in Vincoli.  Teresa was often ill.  She was diagnosed with histoplasmosis, probably from dust and bird excrement in the Arizona church, although her conservation work in Rome was also a factor.  Teresa’s respiratory ailments worsened and she was found to be suffering from lung cancer.  She was treated and the disease went into remission for a couple of years but, then, returned with full force.  After she died, Henry A– returned to the United States.  By this time, he was a well-known art conservator and had no difficulty finding employment within his speciality.  At first, he worked in Chicago, at the Art Institute.  He lived in Cicero near the train-yard and, sometimes, made art of his own – it was ars gratia artis, paintings that could neither be exhibited nor sold.  Later, he was offered a job in California.  Henry A– was getting old and Midwestern winters were ordeals to him and, so, he accepted the position in Los Angeles.


19.


Ordway spoke with an agent for a Freight-Forwarder at the Port of Long Beach.  They met in a cubical in a high-rise building overlooking one of the reaches of sea and estuary confined by the port’s breakwaters.  Infrastructure of piers and jetties enclosed broad basins sheltered from the ocean.  The water was calm, glass-smooth, and reflected the big step-pyramids of cargo containers lining the water-front.  Several ships were docked next to ranks of cranes.  No one was visible: here machines did all the work.  


The Freight Forwarder was from Vanuatu and spoke with an Australian accent.  He had a moss-green tattoo of a stylized bird inked on his chin under his lips.  


“The Thrones,” he said.  “I’ve been to see them.  The blokes at the dock showed me.”


Ordway nodded.


“But I’m afraid they’re off, now on a Maersk freighter to Port Moresby.”


“Port Moresby?”


“PNG,” the Freight Forwarder said.  


It took Ordway a moment to understand that PNG meant Papua New Guinea.


“The blokes at the port will say that John From himself packed the cargo in that container.  That’s how they’ll interpret the graffiti.  John From America who brings the cargo. Take my word for it.  Cargo Cult – gear to protect the islands and shore-lines against climate change, machinery from heaven to restore the seas and reduce their fever.  That’s what I thought when I saw the thrones –“


“The throne of mercy, the throne of wisdom, the throne of justice,” Ordway said.


“I don’t even believe that stuff, wretched superstition, deplorable in my view.  But that’s what the blokes are going to think when the container arrives and they see that painting...”


“You wouldn’t happen to have taken any photographs?” Ordway asked.


“No, not my gig,” the tattooed Freight Forwarder told him.


He said: “Jon hemi no kago. That’s Tok Pisin, pidgen for ‘John From, he’s not the cargo.’  It means that John From shouldn’t be the object of veneration but, rather, what his cargo can accomplish.  Already someone is deliberating on the idea that the cargo in that container will halt climate change, institute justice and mercy and righteousness.  It’s unavoidable.”


Ordway nodded his head.


“It ain’t in the bill of landing or the manifest, that’s for sure,” the Freight-Forwarder’s agent said.  


He looked at his computer screen.  “It says ‘components’ – that’s the freight.  Who knows what that means?”


Ordway asked the agent to write down the geo-location number of the storage container.  


“You know, it’s confidential,” the young man said.  But he took a pen from his breast pocket and wrote a number on a 3M post-it sticker.  


“You didn’t get this from me,” he said.


Ordway went outside and stood at the corner between a jetty and the mile-long concrete sea-wall.  The sky was bright and the sea in the channel between the coast and Catalina writhed in the sunlight.  


He had first seen the Thrones on the Texas panhandle, far from any oceans, carried across the barren empty plains in the heart of the continent.  And on this afternoon, the Thrones were traveling across the Pacific.  All places and people are connected to one another in a seamless web – at least, this is what Ordway thought.  Some day, he supposed, the Thrones would be known between Patagonia and Svalberd, between east and west in all earth’s longitudes.  The seas washed the edges of every continent and roads and rails went through forests and across plains and deserts and mountains, reaching into each interior, and the promise of the Thrones (and its threat) would be proclaimed throughout the world.  But, Ordway had come as far as he could.  His rental car was parked in the shadow of the high-rise control tower.  Planes left trails against the sky.  Ordway checked his watch.  In the evening, he was flying home to Kansas City.  Soon, it would be time for him to make his way to the airport.  


20.


The sea was strange.  The typhoon had blown ashore over Sulawesi, but the ocean still bore the storm’s imprint.  Great glassy causeways stretched across the water, calm straits between mountainous storm surge.  Reefs boiled and vortices bored holes in the ocean and, sometimes, rogue waves as high and vaulted as cathedrals toppled down into the troughs and hollows in the Sulu Sea.  The sky was illumined with flares of light tunneling through ominous clouds that were like frothy carousels spinning over wastes of plunging water.


The container ship glided across a smooth trapezoid-shaped path, a sort of runway flattened across the sea that accompanied the vessel on its way.  But a dome of water rose from the deep, loomed over the ship, and, then, toppled across its mid-section.  The huge vessel flexed like a bow about to fire an arrow and, then, released and a tower of six storage containers, improperly lashed to the deck, bounced upward and, then, dropped into the turbulent sea.  Half the containers dived like whales searching for the bottom of the sea.  The other half floated briefly jostled by the waves.


A mountain of tumbling water soared over a storage container emblazoned with a sort of bright, baroque heraldry.  The sun setting under a lid of dark cloud raked through the wave.  The arch of water was translucent, pale brown and amber, suffused with salmon-pink and blue with a sheen like the silver scales on a bonefish.  Then, the wave dropped like a maul-head on the painted storage container and it flopped over on its belly and sank like a stone.  


22.


Before the ice-storm closed the roads, Ordway left the museum and drove home.  As he exited the freeway, near his neighborhood, ice-pellets pelted his windshield and began to accumulate on the glass above the sweep of his wipers.  The roads were becoming slippery and he saw a car ahead of him glide past on a stop sign on the resistless asphalt.  


His home was warm and, even, felt steamy.  The storm tapped at all the windows and fall in barometric pressure made the hardware in his femur and ankle throb.   Ordway’s wife was home from the Medical Center where she worked.  She was talking on the phone to his daughter who was away at college.  


Ordway went into his study.  The room was shadowy, the storm darkening the windows with falling sleet. On the wall, pictures showed him as a young man working on restoration projects in Naples, Munich, and Arizona.  His old dog limped into the study, stretching out on the Turkish rug next to his desk and inclined drawing board.  Ordway thought that he would sketch the three thrones on a sheet of paper.  His first efforts were ungainly and he destroyed them.  But he continued work, starting again and drawing more slowly, precisely, focusing closely on the pencil in his hand and the charcoal-pad paper clipped to the board.


For most of his life, Ordway had studied works of art, scrutinizing them with his utmost attention, not at all like the glance afforded to objects in a museum gallery, but actually tracing with his own hand the marks made by the artist, grading pigments to exactly match the colors on the canvas or sculpted wood, filling with putty shapes damaged by time, precisely replicating what artisans had made in the past.  And, so, Ordway thought his hand should be adroit, deft in restoring the image of the thrones on the lay of the cotton fiber on his sketch pad.   But the image escaped him.  What he had drawn was fussy, pedantic, too much detail packed into a space too small – the thrones as represented by his sketch were unimpressive and ill-conceived without the vital spark of inspiration.  Integral to art is the idea that it embodies and, in his drawings, the idea evaded him.  Ordway crumpled another sheet of charcoal pad and tried again: this time, he eschewed detail and drew with broad flourishes.  But, the thrones looked like pieces of burnt toast or pillows.  


Falling sleet slashed at the window-pane and, outside, twigs and power-lines were sheathed in ice.  The old dog whimpered in her dream.


“Things must suffer for being what they are,” Ordway whispered.